This is an example page. It’s different from a blog post because it will stay in one place and will show up in your site navigation (in most themes). Most people start with an About page that introduces them to potential site visitors. It might say something like this:<\/p>\n\n\n\n
Hi there! I’m a bike messenger by day, aspiring actor by night, and this is my website. I live in Los Angeles, have a great dog named Jack, and I like piña coladas. (And gettin’ caught in the rain.)<\/p><\/blockquote>\n\n\n\n
…or something like this:<\/p>\n\n\n\n
The XYZ Doohickey Company was founded in 1971, and has been providing quality doohickeys to the public ever since. Located in Gotham City, XYZ employs over 2,000 people and does all kinds of awesome things for the Gotham community.<\/p><\/blockquote>\n\n\n\n
As a new WordPress user, you should go to your dashboard<\/a> to delete this page and create new pages for your content. Have fun!<\/p>\n","protected":false},"excerpt":{"rendered":"
This is an example page. It’s different from a blog post because it will stay in one place and will show up in your site navigation (in most themes). Most people start with an About page that introduces them to potential site visitors. It might say something like this: Hi there! I’m a bike messenger […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"open","template":"","meta":[],"class_list":["post-2","page","type-page","status-publish","hentry"],"aioseo_notices":[],"grid":"{\r\n \"colCount\": 28,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n 8,\r\n 1,\r\n 2,\r\n 5,\r\n 5\r\n ],\r\n \"frameMargin\": 5,\r\n \"leftFrameMargin\": 50,\r\n \"rightFrameMargin\": 50,\r\n \"topFrameMargin\": 120,\r\n \"mus\": {\r\n \"colGutterMu\": \"%\",\r\n \"rowGutterMu\": \"%\",\r\n \"topFrameMu\": \"px\",\r\n \"bottomFrameMu\": \"px\",\r\n \"frameMu\": \"px\"\r\n },\r\n \"bottomFrameMargin\": 120,\r\n \"rowAttrs\": [\r\n {\r\n \"relid\": 18\r\n },\r\n {\r\n \"relid\": 20\r\n },\r\n {\r\n \"relid\": 10\r\n },\r\n {\r\n \"relid\": 3\r\n },\r\n {\r\n \"relid\": 1\r\n },\r\n {\r\n \"relid\": 12\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"bgImage\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"
Posto Reale<\/b><\/span> adotta un<\/span> approccio aperto<\/span> e collaborativo, generando spazi di risonanza interiore e momenti di <\/span>indagine condivisa<\/span>.<\/b><\/p>\\n
Index<\/span> \u00e8 una <\/span>serie curatoriale<\/span> in continuo sviluppo. Frammenti, gesti e artefatti di pubblico dominio<\/em> vengono raccolti e organizzati in <\/span>sequenze tematiche<\/span> per stimolare nuovi paradigmi concettuali.\u00a0<\/span><\/h1>\\n
\u00a0<\/p>\\n
Ogni edizione \u00e8 concepita da uno o pi\u00f9 c<\/span>ollaboratori\u00a0 \u2014 artisti, designer, ricercatori e pensatori \u2014 che dialogano col <\/span>pubblico dominio<\/em> <\/span><\/span>a<\/span><\/span>ttraverso la propria sensibilit\u00e0 espressiva.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 19,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"middle\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 23,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"
Index 1: Dialoghi Infrasottili<\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 11,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"
Questo capitolo indaga le dimensioni simboliche del design, che plasmano silenziosamente il nostro rapporto con il mondo. Spazio-tempo e uomo-natura convivono in un flusso dialogico e congruente.<\/span><\/p>\\n
Il termine <\/span>infrathin<\/span><\/i>, coniato da Marcel Duchamp, descrive la distanza sfuggente e quasi infinitesimale tra due stati, sensazioni o percezioni: \u00e8 il calore residuo di una sedia appena lasciata, la soglia sottile tra odori e suoni. \u00c8 il limite del sensibile e del non immediato esperire.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 11,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"
1\u20133.
Riferimenti di
Arte & Design
<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 13,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 5,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"4\u20136.
Dialoghi tra
gli Spazi<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 16,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"7\u20139.
Texture &
<\/span>Materialit\u00e0\u00a0<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 19,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"10\u201313.
Transparenze
& Strati<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 22,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"14\u201316.
Tensione tra
Digitale e Fisico<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 25,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"elementgrid\",\r\n \"cont\": \"\",\r\n \"align\": \"middle\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 2,\r\n \"config\": {\r\n \"desktop\": {\r\n \"colCount\": 7,\r\n \"colGutter\": 1,\r\n \"rowGutter\": 2,\r\n \"colGutterMu\": \"%\",\r\n \"rowGutterMu\": \"%\",\r\n \"elementHeight\": 200,\r\n \"customAspectRatio\": false,\r\n \"customAspectRatioW\": 16,\r\n \"customAspectRatioH\": 9\r\n },\r\n \"tablet\": {\r\n \"colCount\": 5,\r\n \"colGutter\": 1.5,\r\n \"rowGutter\": 3,\r\n \"colGutterMu\": \"%\",\r\n \"rowGutterMu\": \"%\",\r\n \"elementHeight\": 150,\r\n \"customAspectRatio\": false,\r\n \"customAspectRatioW\": 16,\r\n \"customAspectRatioH\": 9\r\n },\r\n \"phone\": {\r\n \"colCount\": 5,\r\n \"colGutter\": 2,\r\n \"rowGutter\": 4,\r\n \"colGutterMu\": \"%\",\r\n \"rowGutterMu\": \"%\",\r\n \"elementHeight\": 80,\r\n \"customAspectRatio\": false,\r\n \"customAspectRatioW\": 16,\r\n \"customAspectRatioH\": 9\r\n },\r\n \"layoutType\": \"masonry\",\r\n \"elements\": [\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 23,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/1.-Rizine-Co.-Limited-Fruit-Jelly-Flakes-c.-1890-99.-Diecut-leaflet-advertising.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/1.-Rizine-Co.-Limited-Fruit-Jelly-Flakes-c.-1890-99.-Diecut-leaflet-advertising.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/1.-Rizine-Co.-Limited-Fruit-Jelly-Flakes-c.-1890-99.-Diecut-leaflet-advertising-1024x1573.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/1.-Rizine-Co.-Limited-Fruit-Jelly-Flakes-c.-1890-99.-Diecut-leaflet-advertising-768x1180.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/1.-Rizine-Co.-Limited-Fruit-Jelly-Flakes-c.-1890-99.-Diecut-leaflet-advertising-512x787.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/1.-Rizine-Co.-Limited-Fruit-Jelly-Flakes-c.-1890-99.-Diecut-leaflet-advertising-265x407.png\"\r\n },\r\n \"w\": 1106,\r\n \"h\": 1699,\r\n \"ar\": 1.5361663652802893,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"caption\": \"1. Rizine Co. Limited, Fruit Jelly Flakes, ca. 1890-1899. Pieghevole pubblicitario sagomato +<\/a><\/span><\/p>\",\r\n \"tablet\": {\r\n \"size\": 2\r\n },\r\n \"phone\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 24,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/2.-Lynda-Benglis-with-her-Night-Sherbet-in-her-studio-on-Baxter-Street-New-York-1969.-\u00a9-Adagp-Paris-2021Norman-Seeff.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/2.-Lynda-Benglis-with-her-Night-Sherbet-in-her-studio-on-Baxter-Street-New-York-1969.-\u00a9-Adagp-Paris-2021Norman-Seeff.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/2.-Lynda-Benglis-with-her-Night-Sherbet-in-her-studio-on-Baxter-Street-New-York-1969.-\u00a9-Adagp-Paris-2021Norman-Seeff-1024x576.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/2.-Lynda-Benglis-with-her-Night-Sherbet-in-her-studio-on-Baxter-Street-New-York-1969.-\u00a9-Adagp-Paris-2021Norman-Seeff-768x432.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/2.-Lynda-Benglis-with-her-Night-Sherbet-in-her-studio-on-Baxter-Street-New-York-1969.-\u00a9-Adagp-Paris-2021Norman-Seeff-512x288.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/2.-Lynda-Benglis-with-her-Night-Sherbet-in-her-studio-on-Baxter-Street-New-York-1969.-\u00a9-Adagp-Paris-2021Norman-Seeff-265x149.jpg\"\r\n },\r\n \"w\": 1280,\r\n \"h\": 720,\r\n \"ar\": 0.5625,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 3\r\n },\r\n \"phone\": {\r\n \"size\": 3\r\n },\r\n \"caption\": \"
2. Lynda Benglis con la sua opera Night Sherbet<\/em> nel suo studio di Baxter Street, New York, 1969. \u00a9 Adagp, Parigi 2021\/Norman Seeff +<\/a><\/p>\",\r\n \"tablet\": {\r\n \"size\": 3\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 25,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/3.-Kengo-Kuma-and-associates-Sauna-Sazae-Naoshima-2022-Photo.-Keishin-Horikoshi-SS-Inc.webp\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/3.-Kengo-Kuma-and-associates-Sauna-Sazae-Naoshima-2022-Photo.-Keishin-Horikoshi-SS-Inc.webp\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/04\/3.-Kengo-Kuma-and-associates-Sauna-Sazae-Naoshima-2022-Photo.-Keishin-Horikoshi-SS-Inc-2560x1708.webp\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/04\/3.-Kengo-Kuma-and-associates-Sauna-Sazae-Naoshima-2022-Photo.-Keishin-Horikoshi-SS-Inc-1920x1281.webp\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/04\/3.-Kengo-Kuma-and-associates-Sauna-Sazae-Naoshima-2022-Photo.-Keishin-Horikoshi-SS-Inc-1280x854.webp\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/3.-Kengo-Kuma-and-associates-Sauna-Sazae-Naoshima-2022-Photo.-Keishin-Horikoshi-SS-Inc-1024x683.webp\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/3.-Kengo-Kuma-and-associates-Sauna-Sazae-Naoshima-2022-Photo.-Keishin-Horikoshi-SS-Inc-768x512.webp\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/3.-Kengo-Kuma-and-associates-Sauna-Sazae-Naoshima-2022-Photo.-Keishin-Horikoshi-SS-Inc-512x342.webp\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/3.-Kengo-Kuma-and-associates-Sauna-Sazae-Naoshima-2022-Photo.-Keishin-Horikoshi-SS-Inc-265x177.webp\"\r\n },\r\n \"w\": 3000,\r\n \"h\": 2001,\r\n \"ar\": 0.667,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"caption\": \"
3. Kengo Kuma & Associates, Sauna Sazae, Naoshima, 2022. Foto: Keishin Horikoshi - SS Inc. +<\/a><\/p>\",\r\n \"tablet\": {\r\n \"size\": 2\r\n },\r\n \"phone\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 26,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/4.-Autochrome-of-a-Tea-House-Japanese-village-at-Albert-Kahns-Boulogne-Billancourt-property-1910.avif\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/4.-Autochrome-of-a-Tea-House-Japanese-village-at-Albert-Kahns-Boulogne-Billancourt-property-1910.avif\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/4.-Autochrome-of-a-Tea-House-Japanese-village-at-Albert-Kahns-Boulogne-Billancourt-property-1910-1024x760.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/4.-Autochrome-of-a-Tea-House-Japanese-village-at-Albert-Kahns-Boulogne-Billancourt-property-1910-768x570.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/4.-Autochrome-of-a-Tea-House-Japanese-village-at-Albert-Kahns-Boulogne-Billancourt-property-1910-512x380.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/4.-Autochrome-of-a-Tea-House-Japanese-village-at-Albert-Kahns-Boulogne-Billancourt-property-1910-265x197.jpg\"\r\n },\r\n \"w\": 1146,\r\n \"h\": 850,\r\n \"ar\": 0.7417102966841187,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"phone\": {\r\n \"size\": 3\r\n },\r\n \"caption\": \"
4. Autochrome di una casa da t\u00e8, villaggio giapponese nella propriet\u00e0 di Albert Kahn a Boulogne-Billancourt, 1910 +<\/a><\/p>\",\r\n \"tablet\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 27,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/5.-J.-C.-Higgins-and-Son-Man-in-Bottle-1888.-Albumen-print.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/5.-J.-C.-Higgins-and-Son-Man-in-Bottle-1888.-Albumen-print.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/04\/5.-J.-C.-Higgins-and-Son-Man-in-Bottle-1888.-Albumen-print-1280x1979.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/5.-J.-C.-Higgins-and-Son-Man-in-Bottle-1888.-Albumen-print-1024x1583.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/5.-J.-C.-Higgins-and-Son-Man-in-Bottle-1888.-Albumen-print-768x1187.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/5.-J.-C.-Higgins-and-Son-Man-in-Bottle-1888.-Albumen-print-512x792.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/5.-J.-C.-Higgins-and-Son-Man-in-Bottle-1888.-Albumen-print-265x410.png\"\r\n },\r\n \"w\": 1500,\r\n \"h\": 2319,\r\n \"ar\": 1.546,\r\n \"alt\": \"\",\r\n \"caption\": \"
5. J. C. Higgins and Son, Man in Bottle, 1888. Stampa all'albumina +<\/a><\/p>\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"tablet\": {\r\n \"size\": 2\r\n },\r\n \"phone\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 28,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/6.-Meyer-Goldbaum-Ward-and-Green-Gardens-1936.jpeg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/6.-Meyer-Goldbaum-Ward-and-Green-Gardens-1936.jpeg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/6.-Meyer-Goldbaum-Ward-and-Green-Gardens-1936-1024x1347.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/6.-Meyer-Goldbaum-Ward-and-Green-Gardens-1936-768x1011.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/6.-Meyer-Goldbaum-Ward-and-Green-Gardens-1936-512x674.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/6.-Meyer-Goldbaum-Ward-and-Green-Gardens-1936-265x349.jpeg\"\r\n },\r\n \"w\": 1140,\r\n \"h\": 1500,\r\n \"ar\": 1.3157894736842106,\r\n \"alt\": \"\",\r\n \"caption\": \"
6. Meyer Goldbaum, Ward and Green Gardens, 1936 +<\/a><\/p>\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"phone\": {\r\n \"size\": 2\r\n },\r\n \"tablet\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 29,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/7.-Antoni-Jazwinski-Tableau-Muet-original-Polish-System-for-charting-historical-information-1834.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/7.-Antoni-Jazwinski-Tableau-Muet-original-Polish-System-for-charting-historical-information-1834.png\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/04\/7.-Antoni-Jazwinski-Tableau-Muet-original-Polish-System-for-charting-historical-information-1834-1920x1597.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/04\/7.-Antoni-Jazwinski-Tableau-Muet-original-Polish-System-for-charting-historical-information-1834-1280x1065.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/7.-Antoni-Jazwinski-Tableau-Muet-original-Polish-System-for-charting-historical-information-1834-1024x852.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/7.-Antoni-Jazwinski-Tableau-Muet-original-Polish-System-for-charting-historical-information-1834-768x639.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/7.-Antoni-Jazwinski-Tableau-Muet-original-Polish-System-for-charting-historical-information-1834-512x426.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/7.-Antoni-Jazwinski-Tableau-Muet-original-Polish-System-for-charting-historical-information-1834-265x220.png\"\r\n },\r\n \"w\": 2000,\r\n \"h\": 1664,\r\n \"ar\": 0.832,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"phone\": {\r\n \"size\": 3\r\n },\r\n \"caption\": \"
7. Antoni Jaz\u0307win\u0301ski, Tableau Muet<\/em>, originale \u201cSistema polacco\u201d per la rappresentazione delle informazioni storiche, 1834 +<\/a><\/p>\",\r\n \"tablet\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 30,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/8.-Marco-Cagnoni-Salsify-2019.-Courtesy.-Marco-Cagnoni.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/8.-Marco-Cagnoni-Salsify-2019.-Courtesy.-Marco-Cagnoni.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/8.-Marco-Cagnoni-Salsify-2019.-Courtesy.-Marco-Cagnoni-768x769.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/8.-Marco-Cagnoni-Salsify-2019.-Courtesy.-Marco-Cagnoni-512x513.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/8.-Marco-Cagnoni-Salsify-2019.-Courtesy.-Marco-Cagnoni-265x265.png\"\r\n },\r\n \"w\": 863,\r\n \"h\": 864,\r\n \"ar\": 1.0011587485515643,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"phone\": {\r\n \"size\": 2\r\n },\r\n \"caption\": \"
8. Marco Cagnoni, Salsify, 2019. Courtesy. Marco Cagnoni +<\/a><\/p>\",\r\n \"tablet\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 31,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/9.-Daisuke-Yokota-Color-Photographs-Harpers-Books-\u2013-Flying-Books-2015.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/9.-Daisuke-Yokota-Color-Photographs-Harpers-Books-\u2013-Flying-Books-2015.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/9.-Daisuke-Yokota-Color-Photographs-Harpers-Books-\u2013-Flying-Books-2015-512x359.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/9.-Daisuke-Yokota-Color-Photographs-Harpers-Books-\u2013-Flying-Books-2015-265x186.png\"\r\n },\r\n \"w\": 603,\r\n \"h\": 423,\r\n \"ar\": 0.7014925373134329,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"phone\": {\r\n \"size\": 3\r\n },\r\n \"caption\": \"
9. Daisuke Yokota, Color Photographs, Harper\u2019s Books \u2013 Flying Books, 2015 +<\/a><\/p>\",\r\n \"tablet\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 32,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/10.-IRAS-Infrared-Astronomical-Satellite-1983.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/10.-IRAS-Infrared-Astronomical-Satellite-1983.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/04\/10.-IRAS-Infrared-Astronomical-Satellite-1983-1280x1000.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/10.-IRAS-Infrared-Astronomical-Satellite-1983-1024x800.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/10.-IRAS-Infrared-Astronomical-Satellite-1983-768x600.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/10.-IRAS-Infrared-Astronomical-Satellite-1983-512x400.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/10.-IRAS-Infrared-Astronomical-Satellite-1983-265x207.png\"\r\n },\r\n \"w\": 1920,\r\n \"h\": 1500,\r\n \"ar\": 0.78125,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"caption\": \"
10. IRAS, Satellite Astronomico ad Infrarossi, 1983 +<\/a><\/p>\",\r\n \"phone\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 33,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/11.-Levi-Walter-Yaggy-Geological-Chart-1893.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/11.-Levi-Walter-Yaggy-Geological-Chart-1893.png\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/04\/11.-Levi-Walter-Yaggy-Geological-Chart-1893-1920x1297.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/04\/11.-Levi-Walter-Yaggy-Geological-Chart-1893-1280x865.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/11.-Levi-Walter-Yaggy-Geological-Chart-1893-1024x692.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/11.-Levi-Walter-Yaggy-Geological-Chart-1893-768x519.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/11.-Levi-Walter-Yaggy-Geological-Chart-1893-512x346.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/11.-Levi-Walter-Yaggy-Geological-Chart-1893-265x179.png\"\r\n },\r\n \"w\": 2015,\r\n \"h\": 1361,\r\n \"ar\": 0.6754342431761786,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 3\r\n },\r\n \"phone\": {\r\n \"size\": 3\r\n },\r\n \"caption\": \"
11. Levi Walter Yaggy, Geological Chart, 1893 +<\/a>\u00a0<\/p>\",\r\n \"tablet\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 34,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/12.-John-Whitehead-A-Wee-Cot-House-Scotland-c.-1923.-Photo.-Bromine-pattern.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/12.-John-Whitehead-A-Wee-Cot-House-Scotland-c.-1923.-Photo.-Bromine-pattern.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/04\/12.-John-Whitehead-A-Wee-Cot-House-Scotland-c.-1923.-Photo.-Bromine-pattern-1280x1009.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/12.-John-Whitehead-A-Wee-Cot-House-Scotland-c.-1923.-Photo.-Bromine-pattern-1024x807.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/12.-John-Whitehead-A-Wee-Cot-House-Scotland-c.-1923.-Photo.-Bromine-pattern-768x605.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/12.-John-Whitehead-A-Wee-Cot-House-Scotland-c.-1923.-Photo.-Bromine-pattern-512x404.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/12.-John-Whitehead-A-Wee-Cot-House-Scotland-c.-1923.-Photo.-Bromine-pattern-265x209.png\"\r\n },\r\n \"w\": 1903,\r\n \"h\": 1500,\r\n \"ar\": 0.7882291119285338,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"caption\": \"
12. John Whitehead, A Wee Cot House, Scotland, c. 1923. Foto: Bromine Pattern +<\/a><\/p>\",\r\n \"phone\": {\r\n \"size\": 3\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 35,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/13.-Auguste-Rodin-Pallas-Athena-with-the-Parthenon-1896.-Marble-and-plaster.-\u00a9-Musee-Rodin.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/13.-Auguste-Rodin-Pallas-Athena-with-the-Parthenon-1896.-Marble-and-plaster.-\u00a9-Musee-Rodin.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/13.-Auguste-Rodin-Pallas-Athena-with-the-Parthenon-1896.-Marble-and-plaster.-\u00a9-Musee-Rodin-512x718.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/13.-Auguste-Rodin-Pallas-Athena-with-the-Parthenon-1896.-Marble-and-plaster.-\u00a9-Musee-Rodin-265x372.png\"\r\n },\r\n \"w\": 552,\r\n \"h\": 774,\r\n \"ar\": 1.4021739130434783,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"phone\": {\r\n \"size\": 2\r\n },\r\n \"caption\": \"
13. Auguste Rodin, Pallas (Atena) con il Partenone<\/em>, 1896. Marmo e gesso. \u00a9 Mus\u00e9e Rodin +<\/a><\/p>\",\r\n \"tablet\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 36,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968.png\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968-2560x1880.png\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968-1920x1410.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968-1280x940.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968-1024x752.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968-768x564.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968-512x376.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968-265x195.png\"\r\n },\r\n \"w\": 2942,\r\n \"h\": 2160,\r\n \"ar\": 0.7341944255608429,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"caption\": \"
14. John Whitney, Experiments in Motion Graphics, IBM Corporation, 1968 +<\/a><\/p>\",\r\n \"imagelink\": null,\r\n \"phone\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 37,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/15.-Bruno-Munari-ABC-con-Fantasia-Danese-1960.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/15.-Bruno-Munari-ABC-con-Fantasia-Danese-1960.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/15.-Bruno-Munari-ABC-con-Fantasia-Danese-1960-1024x2068.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/15.-Bruno-Munari-ABC-con-Fantasia-Danese-1960-768x1551.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/15.-Bruno-Munari-ABC-con-Fantasia-Danese-1960-512x1034.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/15.-Bruno-Munari-ABC-con-Fantasia-Danese-1960-265x535.png\"\r\n },\r\n \"w\": 1238,\r\n \"h\": 2500,\r\n \"ar\": 2.0193861066235863,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 1\r\n },\r\n \"caption\": \"
15. Bruno Munari, ABC con Fantasia, Danese, 1960 +<\/a><\/p>\",\r\n \"tablet\": {\r\n \"size\": 1\r\n },\r\n \"phone\": {\r\n \"size\": 2\r\n },\r\n \"imagelink\": null\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 38,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/16.-Casey-Reas-The-Thing-that-Makes-the-Thing-is-More-Interesting-than-the-Thing-STAMPS-School-of-Art-and-Design-2015.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/16.-Casey-Reas-The-Thing-that-Makes-the-Thing-is-More-Interesting-than-the-Thing-STAMPS-School-of-Art-and-Design-2015.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/16.-Casey-Reas-The-Thing-that-Makes-the-Thing-is-More-Interesting-than-the-Thing-STAMPS-School-of-Art-and-Design-2015-512x495.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/16.-Casey-Reas-The-Thing-that-Makes-the-Thing-is-More-Interesting-than-the-Thing-STAMPS-School-of-Art-and-Design-2015-265x256.png\"\r\n },\r\n \"w\": 734,\r\n \"h\": 709,\r\n \"ar\": 0.9659400544959128,\r\n \"alt\": \"\",\r\n \"imagelink\": null,\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"caption\": \"
16. Casey Reas, The Thing that Makes the Thing is More Interesting than the Thing, STAMPS School of Art and Design, 2015. +<\/a><\/p>\",\r\n \"phone\": {\r\n \"size\": 2\r\n }\r\n }\r\n ],\r\n \"addtostart\": false,\r\n \"randomOrder\": false\r\n },\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"
Lo scopo di questa raccolta \u00e8 esclusivamente divulgativo e privo di finalit\u00e0 commerciali.<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 13,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n }\r\n ]\r\n}","phonegrid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n \"20\",\r\n \"1\",\r\n \"2\",\r\n \"2\",\r\n \"2\",\r\n \"10\",\r\n \"10\"\r\n ],\r\n \"frameMargin\": 5,\r\n \"topFrameMargin\": \"10\",\r\n \"rightFrameMargin\": 5,\r\n \"bottomFrameMargin\": \"120\",\r\n \"leftFrameMargin\": 5,\r\n \"mus\": {\r\n \"colGutterMu\": \"%\",\r\n \"rowGutterMu\": \"%\",\r\n \"topFrameMu\": \"%\",\r\n \"bottomFrameMu\": \"px\",\r\n \"frameMu\": \"%\"\r\n },\r\n \"rowAttrs\": [\r\n {\r\n \"relid\": 24\r\n },\r\n {\r\n \"relid\": 25\r\n },\r\n {\r\n \"relid\": 14\r\n },\r\n {\r\n \"relid\": 15\r\n },\r\n {\r\n \"relid\": 16\r\n },\r\n {\r\n \"relid\": 17\r\n },\r\n {\r\n \"relid\": 22\r\n },\r\n {\r\n \"relid\": 21\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"bgImage\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"
Posto Reale<\/b><\/span> adotta un<\/span> approccio aperto<\/span> e collaborativo, generando spazi di risonanza interiore e momenti di <\/span>indagine condivisa<\/span>.<\/b><\/p>\\n
Index<\/span> \u00e8 una <\/span>serie curatoriale<\/span> in continuo sviluppo. Frammenti, gesti e artefatti di pubblico dominio<\/em> vengono raccolti e organizzati in <\/span>sequenze tematiche<\/span> per stimolare nuovi paradigmi concettuali.\u00a0<\/span><\/h1>\\n
\u00a0<\/p>\\n
Ogni edizione \u00e8 concepita da uno o pi\u00f9 c<\/span>ollaboratori\u00a0 \u2014 artisti, designer, ricercatori e pensatori \u2014 che dialogano col <\/span>pubblico dominio<\/em> <\/span><\/span>a<\/span><\/span>ttraverso la propria sensibilit\u00e0 espressiva.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 19,\r\n \"absolute_position\": false,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"middle\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 23,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"
Index 1: Dialoghi Infrasottili<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 11,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"
Questo capitolo indaga le dimensioni simboliche del design, che plasmano silenziosamente il nostro rapporto con il mondo. Spazio-tempo e uomo-natura convivono in un flusso dialogico e congruente.<\/span><\/p>\\n
Il termine <\/span>infrathin<\/span><\/i>, coniato da Marcel Duchamp, descrive la distanza sfuggente e quasi infinitesimale tra due stati, sensazioni o percezioni: \u00e8 il calore residuo di una sedia appena lasciata, la soglia sottile tra odori e suoni. \u00c8 il limite del sensibile e del non immediato esperire.<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"absolute_position\": false,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"
1\u20133.
Riferimenti di
Arte & Design
<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"4\u20136.
Dialoghi tra
gli Spazi<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 4,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"7\u20139.
Texture &
<\/span>Materialit\u00e0\u00a0<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 8,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"10\u201313.
Transparenze
& Strati<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"14\u201316.
Tensione tra
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4. Autochrome di una casa da t\u00e8, villaggio giapponese nella propriet\u00e0 di Albert Kahn a Boulogne-Billancourt, 1910 +<\/a><\/p>\",\r\n \"tablet\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 27,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/5.-J.-C.-Higgins-and-Son-Man-in-Bottle-1888.-Albumen-print.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/5.-J.-C.-Higgins-and-Son-Man-in-Bottle-1888.-Albumen-print.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/04\/5.-J.-C.-Higgins-and-Son-Man-in-Bottle-1888.-Albumen-print-1280x1979.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/5.-J.-C.-Higgins-and-Son-Man-in-Bottle-1888.-Albumen-print-1024x1583.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/5.-J.-C.-Higgins-and-Son-Man-in-Bottle-1888.-Albumen-print-768x1187.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/5.-J.-C.-Higgins-and-Son-Man-in-Bottle-1888.-Albumen-print-512x792.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/5.-J.-C.-Higgins-and-Son-Man-in-Bottle-1888.-Albumen-print-265x410.png\"\r\n },\r\n \"w\": 1500,\r\n \"h\": 2319,\r\n \"ar\": 1.546,\r\n \"alt\": \"\",\r\n \"caption\": \"
5. J. C. Higgins and Son, Man in Bottle, 1888. Stampa all'albumina +<\/a><\/p>\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"tablet\": {\r\n \"size\": 2\r\n },\r\n \"phone\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 28,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/6.-Meyer-Goldbaum-Ward-and-Green-Gardens-1936.jpeg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/6.-Meyer-Goldbaum-Ward-and-Green-Gardens-1936.jpeg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/6.-Meyer-Goldbaum-Ward-and-Green-Gardens-1936-1024x1347.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/6.-Meyer-Goldbaum-Ward-and-Green-Gardens-1936-768x1011.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/6.-Meyer-Goldbaum-Ward-and-Green-Gardens-1936-512x674.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/6.-Meyer-Goldbaum-Ward-and-Green-Gardens-1936-265x349.jpeg\"\r\n },\r\n \"w\": 1140,\r\n \"h\": 1500,\r\n \"ar\": 1.3157894736842106,\r\n \"alt\": \"\",\r\n \"caption\": \"
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7. Antoni Jaz\u0307win\u0301ski, Tableau Muet<\/em>, originale \u201cSistema polacco\u201d per la rappresentazione delle informazioni storiche, 1834 +<\/a><\/p>\",\r\n \"tablet\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 30,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/8.-Marco-Cagnoni-Salsify-2019.-Courtesy.-Marco-Cagnoni.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/8.-Marco-Cagnoni-Salsify-2019.-Courtesy.-Marco-Cagnoni.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/8.-Marco-Cagnoni-Salsify-2019.-Courtesy.-Marco-Cagnoni-768x769.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/8.-Marco-Cagnoni-Salsify-2019.-Courtesy.-Marco-Cagnoni-512x513.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/8.-Marco-Cagnoni-Salsify-2019.-Courtesy.-Marco-Cagnoni-265x265.png\"\r\n },\r\n \"w\": 863,\r\n \"h\": 864,\r\n \"ar\": 1.0011587485515643,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"phone\": {\r\n \"size\": 2\r\n },\r\n \"caption\": \"
8. Marco Cagnoni, Salsify, 2019. Courtesy. Marco Cagnoni +<\/a><\/p>\",\r\n \"tablet\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 31,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/9.-Daisuke-Yokota-Color-Photographs-Harpers-Books-\u2013-Flying-Books-2015.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/9.-Daisuke-Yokota-Color-Photographs-Harpers-Books-\u2013-Flying-Books-2015.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/9.-Daisuke-Yokota-Color-Photographs-Harpers-Books-\u2013-Flying-Books-2015-512x359.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/9.-Daisuke-Yokota-Color-Photographs-Harpers-Books-\u2013-Flying-Books-2015-265x186.png\"\r\n },\r\n \"w\": 603,\r\n \"h\": 423,\r\n \"ar\": 0.7014925373134329,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"phone\": {\r\n \"size\": 3\r\n },\r\n \"caption\": \"
9. Daisuke Yokota, Color Photographs, Harper\u2019s Books \u2013 Flying Books, 2015 +<\/a><\/p>\",\r\n \"tablet\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 32,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/10.-IRAS-Infrared-Astronomical-Satellite-1983.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/10.-IRAS-Infrared-Astronomical-Satellite-1983.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/04\/10.-IRAS-Infrared-Astronomical-Satellite-1983-1280x1000.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/10.-IRAS-Infrared-Astronomical-Satellite-1983-1024x800.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/10.-IRAS-Infrared-Astronomical-Satellite-1983-768x600.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/10.-IRAS-Infrared-Astronomical-Satellite-1983-512x400.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/10.-IRAS-Infrared-Astronomical-Satellite-1983-265x207.png\"\r\n },\r\n \"w\": 1920,\r\n \"h\": 1500,\r\n \"ar\": 0.78125,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"caption\": \"
10. IRAS, Satellite Astronomico ad Infrarossi, 1983 +<\/a><\/p>\",\r\n \"phone\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 33,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/11.-Levi-Walter-Yaggy-Geological-Chart-1893.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/11.-Levi-Walter-Yaggy-Geological-Chart-1893.png\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/04\/11.-Levi-Walter-Yaggy-Geological-Chart-1893-1920x1297.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/04\/11.-Levi-Walter-Yaggy-Geological-Chart-1893-1280x865.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/11.-Levi-Walter-Yaggy-Geological-Chart-1893-1024x692.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/11.-Levi-Walter-Yaggy-Geological-Chart-1893-768x519.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/11.-Levi-Walter-Yaggy-Geological-Chart-1893-512x346.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/11.-Levi-Walter-Yaggy-Geological-Chart-1893-265x179.png\"\r\n },\r\n \"w\": 2015,\r\n \"h\": 1361,\r\n \"ar\": 0.6754342431761786,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 3\r\n },\r\n \"phone\": {\r\n \"size\": 3\r\n },\r\n \"caption\": \"
11. Levi Walter Yaggy, Geological Chart, 1893 +<\/a>\u00a0<\/p>\",\r\n \"tablet\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 34,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/12.-John-Whitehead-A-Wee-Cot-House-Scotland-c.-1923.-Photo.-Bromine-pattern.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/12.-John-Whitehead-A-Wee-Cot-House-Scotland-c.-1923.-Photo.-Bromine-pattern.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/04\/12.-John-Whitehead-A-Wee-Cot-House-Scotland-c.-1923.-Photo.-Bromine-pattern-1280x1009.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/12.-John-Whitehead-A-Wee-Cot-House-Scotland-c.-1923.-Photo.-Bromine-pattern-1024x807.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/12.-John-Whitehead-A-Wee-Cot-House-Scotland-c.-1923.-Photo.-Bromine-pattern-768x605.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/12.-John-Whitehead-A-Wee-Cot-House-Scotland-c.-1923.-Photo.-Bromine-pattern-512x404.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/12.-John-Whitehead-A-Wee-Cot-House-Scotland-c.-1923.-Photo.-Bromine-pattern-265x209.png\"\r\n },\r\n \"w\": 1903,\r\n \"h\": 1500,\r\n \"ar\": 0.7882291119285338,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"caption\": \"
12. John Whitehead, A Wee Cot House, Scotland, c. 1923. Foto: Bromine Pattern +<\/a><\/p>\",\r\n \"phone\": {\r\n \"size\": 3\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 35,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/13.-Auguste-Rodin-Pallas-Athena-with-the-Parthenon-1896.-Marble-and-plaster.-\u00a9-Musee-Rodin.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/13.-Auguste-Rodin-Pallas-Athena-with-the-Parthenon-1896.-Marble-and-plaster.-\u00a9-Musee-Rodin.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/13.-Auguste-Rodin-Pallas-Athena-with-the-Parthenon-1896.-Marble-and-plaster.-\u00a9-Musee-Rodin-512x718.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/13.-Auguste-Rodin-Pallas-Athena-with-the-Parthenon-1896.-Marble-and-plaster.-\u00a9-Musee-Rodin-265x372.png\"\r\n },\r\n \"w\": 552,\r\n \"h\": 774,\r\n \"ar\": 1.4021739130434783,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"phone\": {\r\n \"size\": 2\r\n },\r\n \"caption\": \"
13. Auguste Rodin, Pallas (Atena) con il Partenone<\/em>, 1896. Marmo e gesso. \u00a9 Mus\u00e9e Rodin +<\/a><\/p>\",\r\n \"tablet\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 36,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968.png\",\r\n \"_2560\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968-2560x1880.png\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968-1920x1410.png\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968-1280x940.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968-1024x752.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968-768x564.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968-512x376.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/14.-John-Whitney-Experiments-in-Motion-Graphics-IBM-Corporation-1968-265x195.png\"\r\n },\r\n \"w\": 2942,\r\n \"h\": 2160,\r\n \"ar\": 0.7341944255608429,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 2\r\n },\r\n \"caption\": \"
14. John Whitney, Experiments in Motion Graphics, IBM Corporation, 1968 +<\/a><\/p>\",\r\n \"imagelink\": null,\r\n \"phone\": {\r\n \"size\": 2\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 37,\r\n \"cont\": \"\/wp-content\/uploads\/2025\/04\/15.-Bruno-Munari-ABC-con-Fantasia-Danese-1960.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/04\/15.-Bruno-Munari-ABC-con-Fantasia-Danese-1960.png\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/04\/15.-Bruno-Munari-ABC-con-Fantasia-Danese-1960-1024x2068.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/04\/15.-Bruno-Munari-ABC-con-Fantasia-Danese-1960-768x1551.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/04\/15.-Bruno-Munari-ABC-con-Fantasia-Danese-1960-512x1034.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/04\/15.-Bruno-Munari-ABC-con-Fantasia-Danese-1960-265x535.png\"\r\n },\r\n \"w\": 1238,\r\n \"h\": 2500,\r\n \"ar\": 2.0193861066235863,\r\n \"alt\": \"\",\r\n \"desktop\": {\r\n \"size\": 1\r\n },\r\n \"caption\": \"